Alos

⩝ ?ALOS
Ritual “The Chaos Awakening’”
Eclipses, wafts, wind, goddesses, Mediterranean and middle Eastern miths, Potnia Theròn, Artemis, Cybele, Eris, Ecate, Moire : the coordinates of this ritual bring us to the south east of the Earth. Through “The Chaos Awakening” ritual ?Alos keeps on studying in deep the mystical, magical, shamanic side of music and voice.
After passing through the elements Earth and Water her reserch continues with Air and Fire. A ritual to awake the Chaos around us and deep inside us. What will happen will be a discovery. ?Alos (queer-ancestral-pagan-doom-avant-metal) Muse of Chaos, queer, experimental and extreme performer and musician, Stefania Pedretti, voice and strings of the monolithic band OvO, started her solo ?Alos in 2003. ?Alos is music, performance, dance, political activism, social criticism, history, femminism, anarchy. ?Alos is Chaos when is taking its shape

From Italy - Ravenna

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Alina Kalancea

Alina Kalancea is a tireless and methodical sonic explorer born in Romania.

Deep basses, dark atmospheres, heart-beating rhythms, water-dropping frequencies and electric spikes fit together with her voice creating overwhelming tracks full of subtle sounds generated with many different modular & non-modular tools that make her live performances unique.

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She Spread Sorrow

She spread sorrow is the solo project run by Alice Kundalini from Italy since 2014 and out for Cold Spring Records.
Ritual deathscape, obscure death industrial: her concept albums are trips into distorted faith, repressed desires, guilt and punishment.
She played all over Europe and she attended some international festivals.
Midori is the latest album, out in March 2018.

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Perrine Bourel

Perrine est violoneuse.

Elle a suivi un enseignement singulier du violon auprès de musiciens traditionnels irlandais et a étudiée les musiques des violoneux des Alpes du Sud et du Dauphiné auprès d’un fermier violoneux dans la montagne de Lure (vallée du Jabron).

Loin des académisme de la pratique du violon, ses recherches questionnent les intersections des musiques traditionnelles et expérimentales contemporaines.

Collaborer avec des artistes d’horizon divers dévoile des facettes qui élargissent ses jeux, sa pratique et ses conceptions.

Les rencontres avec des sites spécifiques, avec des paysages, deviennent ses objectifs de recherches et s’orientent vers des expérimentations sonores, où le violon est un médium d’exploration qui dépasse le champs des musiques.

En solo et dans divers groupes du collectif La Nòvia, elle joue des répertoires des musiques traditionnelles des Hautes Alpes, des pièces de compositeurs contemporains (Terry Riley, Guilhem Lacroux, Yann Gourdon...) et des compositions solo.

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Nina Hoppas

Sound Artist da Parigi dedita ad un approccio profondo e sperimentale, comincia nel 2016 e pubblica tre EP con diverse net label internazionali.

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